The perception of the inner levels of reality is highly in­di­vid­ual: There is no universal dream sym­bol­ism. Every­one is encouraged to explore his dream sym­bo­lism, to find out what facts his symbols represent. The in­ner instances can be asked for help in de­ci­phering.

The long-term goal is the greatest possible undistorted communication and perception at the inner level. Chan­nels of information can become intermingled. The more practiced consciousness focusing and interpretation is, the more distortion-free and authentic are the results. (Wak­ing conscious) activities on the inner level, called “dreams”, are also called dual-hybrid constructions in the Seth material, because a translation, a synthesis of sy­mbols of the inner and the outer world takes place.

The symbolic appearance of a certain person can be in­ter­pret­ed in different ways: It may stand for a certain qual­ity or (behavioral) characteristic or symbolize, rep­re­sent a theme. It may also spring from a separate prob­abil­ity line. Or it may actually be the person himself who sends a message or is present. Beside further ex­pla­na­tion models there are also on the inner level dis­in­for­ma­tion agents, this system is a learning system and as such players and antagonists act, some pretend to be per­sons they are not, regarding their outer shape. How­ever, the communication between physically incarnated and physically deceased, on friendship or kinship level, is usually clearly recognized as such. One always re­mem­bers the very own inner assistance, the sub­con­scious and the inner self (classically: guardian angel), both are always helpful in the exploration of inner re­a­li­ties. Both are waiting to be actively addressed, to re­ceive instructions and, through an initial, systematic con­tact cultivation on the part of the I-consciousness, to raise it to a higher (perception) level for a maximum de­vel­op­ment of abilities in all areas of life.

Just as there are dif­fer­ent landscapes, there are also different inner levels of reality. With a classical analog ra­dio, the corresponding frequency is set via the station control. Through practice, one is enabled in the long run to tune in to inner levels of reality at any time, to choose the appropriate frequency or focus of con­scious­ness.

In the present, post-materialistic transitional age, the ma­jor­ity does not yet perceive the change of frequency of consciousness in a waking consciousness. They change unconsciously from physical perception to inner realities. Paraphrased: They walk somnambulistically (sleep­walk­ing) with closed eyes towards a door, open it. Then they wake up, they are on inner levels, arrange there fundamentally the next day, get information, make out-of-body journeys, meet other people and so on. The later refocusing on the physical frequency of con­scious­ness occurs just as unconsciously, they walk again som-

nam­bu­listically and with closed eyes towards an exit door, close it unconsciously behind them and wake up again in the physical: “What I dreamed again!”.

Peanuts creator Charles M. Schulz knew about con­scious­ness frequency changes and out-of-body pro­jec­tions. In the classic movie “Snoopy come Home”, 1972 (WP article), he visualizes one of the countless practical ap­pli­ca­tions.

Lila, Snoopy's former owner, is seriously ill and asks him in writing for assistance and help. Together with his friend Wood­stock, Snoopy embarks on an adventurous journey, dur­ing which they both soon discover that they are ex­cluded from public transportation and have to hike.

In one of the film's most symbolic scenes, they spend the night at a crossroads, an intersection between the outer and inner worlds, where a mystical migrating flock of geese in formation flight passes the full moon scene.

Schulz exemplarily illustrates the still prevailing un­con­scious out-of-body projections or journeys: Snoopy and Wood­stock emerge from their resting bodies, float up­ward, with sleepy expressions on their faces. Then they set off to explore the terrain ahead of them.

They look for a practical solution for the coming day, they go out of body into the forest and look for the suitable hik­ing route. With this information, obtained during the sleep state, they then manage to find the way to Li­la the next day.

The spatial-geometric perception during such out-of-body pro­jec­tions may correspond 1:1 to the physical sense per­cep­tion, or it may be extended symbolically: Places, streets and squares may appear wider and much larger, sym­bol­izing the holistic inner vastness; dream symbolism is always highly individual. In the Seth material it is stated that one looks out of the window of a room, for example, and perceives superimposed how the scenery of this lo­cal­ity presents itself in the different ages.

Such projections also take place during the day, during nor­mal (professional) everyday life, whether consciously or unconsciously.

The American original (80 min­utes) can be watched in two parts on Daily​mo​ti​on (part 01, part 02). Here, in “Snoopy Come Home Movie Part 2 of 2“, as an entry point the ar­ri­val at the railroad under­pass (minute 06:24) and the direct jump to the out-of-body projection (minute 08).